Generations: The Best Gen 4 Girl Groups
The fourth generation made girl groups the commercial center of K-pop. We ranked them by their daily KpopScore, with the live numbers behind the order.
The fourth generation is where girl groups became the commercial center of K-pop. The acts that debuted between 2018 and 2022 took over the charts, reset the sound twice in five years, and turned up at Coachella and on the Billboard charts as a matter of routine. This is our ranking of the best of them, ordered by each group's all-time KpopScore, and the top of this list is the top of the whole site.
The module below is the live part. It races the top of the field on the same daily engine as the rest of the site. Move the timeframe and the order can shift: an all-time window rewards a full body of work, while a short one rewards whoever is active right now.
aespa
ive
lesserafim
gidle
newjeans
itzy
How we ranked this
The order is by all-time KpopScore, a single 0 to 1000 popularity number built from streaming, video, charts, sales, music-show wins, and recognition. An all-time window rewards a full body of work rather than this week's momentum. One honest note on where we draw the line: the generation boundary is genuinely debated, and the 2022 debuts like NewJeans, LE SSERAFIM, and NMIXX are often called the start of a fifth generation. We score them as fourth-gen here because that is how the rest of the site is organized, and we keep the 2023-onward rookies for their own list. For the full method, see How It Works.
The ranking
aespa
aespa are the highest-scoring girl group of their generation, and currently one of the highest-scoring acts on the entire site. SM built them around a metaverse concept of digital counterparts, then backed it with a run of singles that defined the era's sound, from the warped pop of their breakout to the synth-driven hits that followed. They grew from a four-member rookie act into a stadium-touring, Coachella-headlining force. Their score is led by streaming, video, and recognition, the profile of a group operating at the very top of the field.
IVE
IVE arrived already knowing exactly who they were. Built around IZ*ONE alumni Jang Wonyoung and Ahn Yujin, they debuted into a regal, self-possessed brand of pop and delivered one of the cleanest rookie runs in K-pop history, with a near-unbroken string of title tracks that topped the domestic charts. Their score is strongest on charts, streaming, and music shows. Few groups have ever made the climb to the top tier look this effortless.
LE SSERAFIM
LE SSERAFIM turned fearlessness into a whole identity. Anchored by IZ*ONE veterans Sakura and Kim Chaewon alongside Huh Yunjin, they pair a confident, club-leaning sound with one of the most respected dance lines of the generation, and they became a fixture at Coachella and across the fashion world. Their score draws on charts, video, and recognition. They are the clearest example of HYBE building a global girl group on the first try.
i-dle
i-dle, who debuted as (G)I-DLE and dropped the "girl" marker in a 2025 rebrand, are the great self-producing group of their generation. Member Soyeon writes and produces much of their catalog, which let them flip concepts at will, from sultry to playful to confrontational, and still land hit after hit. Their score is led by music shows, streaming, and recognition. No other group on this list controls its own creative direction quite as completely.
NewJeans
NewJeans changed the direction of the entire generation. Working with producer Min Hee-jin, they arrived with a stripped-back, Y2K-leaning sound and effortless visual language that pulled K-pop away from the loud, maximalist concepts that had dominated, and the industry spent the next two years chasing the shift. Their score is built on streaming and video. Their cultural footprint runs well ahead of their short discography.
ITZY
ITZY led the early-fourth-gen wave of teen-crush confidence, trading the softer concepts of the previous generation for self-assurance and one of the sharpest dance lines around. A run of high-energy title tracks made them an immediate force at home and a strong touring draw in the United States. Their score leans on video and music shows. They set the template that much of this list would build on.
NMIXX
NMIXX are the most technically ambitious group of their class. Their signature "mixxpop" approach splices genres and tempos inside a single song, demanding a vocal line strong enough to carry it, and that difficulty became their calling card. Their score is strongest in streaming and video. They are a group that rewards close listening more than easy first impressions.
STAYC
STAYC built their name on bright, instantly catchy pop, a lane they branded "teenfresh." Guided by the veteran producing duo Black Eyed Pilseung, they turned out some of the most reliable earworms of the generation and a steady run of chart-friendly comebacks. Their score is led by charts and streaming. They are proof that a smaller label could still manufacture consistent hits in a crowded field.
The survival-show pipeline
The reality competition runs straight through this generation. IZ*ONE came out of Produce 48 as a Korean-Japanese project group with a fixed expiration date, and when it ended it seeded two of the biggest groups on this list: IVE and LE SSERAFIM. Kep1er followed the same model out of Girls Planet 999, fromis_9 came from Idol School, and NiziU were assembled in Japan through the Nizi Project. The format did not just fill out the rankings, it built the next wave of headliners.
Spinoffs, second acts, and the deep field
Below the top tier the generation is remarkably deep. LOONA ran one of the most elaborate pre-debut rollouts in K-pop and later fractured into a cluster of successor acts, including ARTMS and Loossemble, while VIVIZ carried three members of GFRIEND into a second life. EVERGLOW and Billlie built distinct concept lanes, tripleS turned a large, fan-voted unit system into its whole structure, and FIFTY FIFTY landed one of the biggest global crossover hits of the era before a label dispute interrupted them. Every one of them has a live score you can pull up and compare.
The verdict
The fourth generation is the one where girl groups stopped being the counterweight to the boys and simply became the main event. The order here is ours, drawn from the data, but a live score is meant to be argued with. Change the timeframe on the module above, or head to the compare tool and build your own bracket. And if you want the other half of the story, read the best Gen 4 boy groups.